Size:
38 x 56cm (15 x 20 inches)
Medium:
Inks, gold leaf and mixed media with underprint on Fabriano Artistico 640gsm HP Watercolour paper, UV-sealed, matt-varnished.
Original handmade variant:
Artist’s Proof
Status:
Available
38 x 56cm (15 x 20 inches)
Inks, gold leaf and mixed media with underprint on Fabriano Artistico 640gsm HP Watercolour paper, UV-sealed, matt-varnished.
Artist’s Proof
Available
Submit a quick query about this artwork or request more information or additional images of the piece, or email nikimcqueen@gmail.com.
Please fill in this form to get a detailed quote for this artwork or request more information or additional images of the piece, or email nikimcqueen@gmail.com.
This work is available as a limited-edition print (15 editions), created on Hahnemuhle German Etching Paper at the size of your choice.
South African buyers: we will contact you to arrange your order and shipping.
International buyers: The work will be made available for you in Niki’s Etsy store .The print will be delivered with a numbered certificate of authenticity. You will be contacted as soon as it’s available. If you would like your print personally signed by the artist, we will contact you to make arrangements for shipping your order from South Africa.
Please contact or email nikimcqueen@gmail.com for more information
I am considering this an Artist's Proof and am already working on the final edition, which is, I hope, going to be awesome :)
I dreamed about Kintsugi a while ago. In January, I think. It was one of those dreams that stay with you and nudge you toward something, a gift from the unconscious.
For those of you who aren't familiar with the term, Kintsugi is a Japanese art, whereby pottery is mended using gold or platinum. In our commercial, capitalist, throw-away culture, it shows a reverence for the broken, instead of a discarding.
To me, it is a powerful metaphor for healing...not a complex symbol to process. It's dated in the future, healing takes time...
In a discussion with a rather opinionated individual a few months ago, I defended the fact that I find the broken-mended more beautiful than the untouched and unsullied.
He strongly disagreed. But I stand by my preference - I see something infinitely beautiful in things or people that have survived destruction, trauma, disintegration and desolation, to find the hope, the will to live, and slowly and carefully pick up the pieces one by one, reassemble and readhere them, and reclaim themselves, becoming stronger and somehow more than they were before.
This is how we grow, it's how we learn, it's how we find things like kindness and compassion both within and for ourselves.
The people I admire and revere the most have all got Kintsugi souls.
I hope one day to be one of them. - Niki McQueen